![]() 作者: James Monaco 出版社: Oxford University Press 副标题: Movies, Media, and Beyond 出版年: 2009-5-8 页数: 736 定价: USD 29.95 装帧: Paperback ISBN: 9780195321050 内容简介 · · · · · ·Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become ... 作者简介 · · · · · ·James Monaco is President of UNET 2 Corporation and author or editor of more than a dozen books on film and media, published in more than 40 editions, which have been as successful in translation in Europe and Japan as in English in the UK and North America. With Baseline, the worldwide information source for the entertainment business which he founded in 1982, he’s responsible... 目录 · · · · · ·FRONT MATTERINTRODUCTION Preface to the Second Edition 1. FILM AS AN ART The Nature of Art Ways of Looking at Art · · · · · · () FRONT MATTER INTRODUCTION Preface to the Second Edition 1. FILM AS AN ART The Nature of Art Ways of Looking at Art The Spectrum of Abstraction The Modes of Discourse The "Rapports de Production" Film, Recording, and the Other Arts Film, Photography, and Painting Film and the Novel Film and Theater Film and Music Film and the Environmental Arts The Structure of Art 2. TECHNOLOGY: IMAGE AND SOUND Art and Technology Image Technology Sound Technology The Lens The Camera The Filmstock Negatives, Prints, and Generations Aspect Ratio Grain, Gauge, and Speed Color, Contrast, and Tone The Soundtrack Post-Production Editing Mixing and Looping Special Effects Opticals, the Lab, and the Post House Video and Film Projection 3. THE LANGUAGE OF FILM: SIGNS AND SYNTAX Signs The Physiology of Perception Denotative and Connotative Meaning Syntax Codes Mise-en-Scéne The Framed Image The Diachronic Shot Sound Montage 4. THE SHAPE OF FILM HISTORY Movies/Film/Cinema "Movies": Economics "Film": Politics "Cinema": Esthetics Creating an Art: Lumière versus Méliès The Silent Feature: Realism versus Expressionism Hollywood: Genre versus Auteur Neorealism and After: Hollywood versus the World The New Wave and the Third World: Entertainment versus Communication The Postmodern Sequel: Democracy, Technology, End of Cinema 5. FILM THEORY: FORM AND FUNCTION The Critic The Poet and the Philosopher: Lindsay and Münsterberg Expressionism and Realism: Arnheim and Kracauer Montage: Pudovkin, Eisenstein, Balázs, and Formalism Mise-en-Scéne: Neorealism, Bazin, and Godard Film Speaks and Acts: Metz and Contemporary Theory 6. MEDIA: IN THE MIDDLE OF THINGS Community Print and Electronic Media The Technology of Mechanical and Electronic Media Radio and Records Television and Video "Broadcasting": The Business "Television": The Art "TV": The Virtual Family 7. MULTIMEDIA: THE DIGITAL REVOLUTION The Digital Revolution The Myth of Multimedia The Myth of Virtual Reality The Myth of Cyberspace "What Is to be Done?" I FILM AND MEDIA: A CHRONOLOGY To 1895: Prehistory 1896 – 1915: The Birth of Film 1916 – 1930: Silent Film, the Births of Radio and Sound Film 1931 – 1945: The Great Age of Hollywood and Radio 1946 – 1960: The Growth of Television 1961 – 1980: The Media World 1981 – Present: The Digital World II BIBLIOGRAPHY: READING ABOUT FILM AND MEDIA Part One: A Basic Library 1. Film as an Art 2. The Technology of Film and Media 3. The Language of Film 4A. Film History: The Economics and Politics of Film 4B. Film History: General Historical Studies 4C. Film History: Specific Major Periods 4D. Film History: Genres and Specific Topics 4E. Film History: National Cinemas 4F. Film History: Films and Filmmakers 5. Film Theory and Practical Criticism 6. Media 7. New Media Part Two: Information 8. Lists and Encyclopedias 9. Book Bibliographies 10. Guides to Periodical Literature 11. Miscellaneous Guides 12. Journals and Magazines 13. Databases · · · · · · () |
后来理论的东西很多
果然有独到的见解
一个彻底的解看!
从演化的角度入手