《Reductionism in Art and Brain Science》电子书下载

Reductionism in Art and Brain Sciencetxt,chm,pdf,epub,mobi下载
作者:Eric Kandel
出版社: Columbia University Press
副标题: Bridging the Two Cultures
出版年: 2016-8-30
页数: 240
定价: USD 29.95
装帧: Hardcover
ISBN: 9780231179621

内容简介 · · · · · ·

In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning.

作者简介 · · · · · ·

Eric R. Kandel is University Professor and Kavli Professor in the Departments of Neuroscience, Biochemistry and Molecular Biophysics, and Psychiatry at Columbia University. He is director of the Kavli Institute for Brain Science and codirector of the Mortimer B. Zuckerman Mind Brain Behavior Institute at Columbia. In 2000, he was awarded the Nobel Prize in Physiology or Medicin...

目录 · · · · · ·

Part I: Two Cultures Meet in the New York School Introduction 1. The Emergence of an Abstract School of Art in New York Part II: A Reductionist Approach to Brain Science 2. The Beginning of a Scientific Approach to the Perception of Art 3. The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art 4. The Biology of Learning and Memory: Top-Down Processing in Art Part III: A Reductionist Approach to Art 5. Reductionism in the Emergence of Abstract Art 6. Mondrian and the Radical Reduction of the Figurative Image 7. The New York School of Painters 8. How the Brain Processes and Perceives Abstract Images 9. From Figuration to Color Abstraction 10. Color and the Brain 11. A Focus on Light 12. A Reductionist Influence on Figuration Part IV: The Emerging Dialogue Between Abstract Art and Science 13. Why Is Reductionism Successful in Art? 14. A Return to the Two Cultures Acknowledgments Notes References Illustration Credits Index

Part I: Two Cultures Meet in the New York School Introduction 1. The Emergence of an Abstract School of Art in New York Part II: A Reductionist Approach to Brain Science 2. The Beginning of a Scientific Approach to the Perception of Art 3. The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art 4. The Biology of Learning and Memory: Top-Down Processing in Art Part III: A Reductionist Approach to Art 5. Reductionism in the Emergence of Abstract Art 6. Mondrian and the Radical Reduction of the Figurative Image 7. The New York School of Painters 8. How the Brain Processes and Perceives Abstract Images 9. From Figuration to Color Abstraction 10. Color and the Brain 11. A Focus on Light 12. A Reductionist Influence on Figuration Part IV: The Emerging Dialogue Between Abstract Art and Science 13. Why Is Reductionism Successful in Art? 14. A Return to the Two Cultures Acknowledgments Notes References Illustration Credits Index
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