Table of Contents Early song precedents p. 22

Strains in emperor-literati relations during the reform era p. 42

Collecting as a scholarly passion during the Northern Song period p. 76

Huizong as a collector p. 102

Managing the collections at the palace library p. 131

Collecting and cataloguing antiquities p. 150

Collecting and cataloguing calligraphy p. 204

Collecting and cataloguing paintings p. 257

The fate of Huizong's collections p. 311

Reflections p. 341

Authorship and editions of the catalogues p. 355

Paintings and calligraphies with Huizong's collector seals p. 373

Major extant pre-Song calligraphies listed in the Xuanhe calligraphy catalogue p. 392

Notes p. 397

Bibliography p. 441

Glossary-index p. 474

By the end of the sixth century CE, both the royal courts and the educated elite in China were collecting works of art, particularly scrolls of calligraphy and paintings done by known artists. By the time of Emperor Huizong (1082-1135) of the Song dynasty (960-1279), both scholars and the imperial court were cataloguing their collections and also collecting ancient bronzes and rubbings of ancient inscriptions. The catalogues of Huizong's painting, calligraphy, and antiquities collections list over 9,000 items, and the tiny fraction of the listed items that survive today are all important works, among the masterpieces of early Chinese art.Patricia Ebrey's study of Huizong's collections places them in both political and art historical context. The acts of adding to and cataloguing the imperial collections were political ones, among the strategies that the Song court used to demonstrate its patronage of the culture of the brush, and they need to be seen in the context of contemporary political divisions and controversies. At the same time, court intervention in the art market was both influenced by, and had an impact on, the production, circulation, and imagination of art outside the court.Accumulating Cultureprovides a rich context for interpreting the three book-length catalogues of Huizong's collection and specific objects that have survived. It contributes to a rethinking of the cultural side of Chinese imperial rule and of the court as a patron of scholars and the arts, neither glorifying Huizong as a man of the arts nor castigating him as a megalomaniac, but rather taking a hardheaded look at the political and cultural ramifications of collecting and the reasons for choices made by Huizong and his curators. The reader is offered glimpses of the magnificence of the collections he formed and the disparate fates of the objects after they were seized as booty by the Jurchen invaders in 1127.The heart of the book examines in detail the primary fields of collecting-antiquities, calligraphy, and painting. Chapters devoted to each of these use Huizong's catalogues to reconstruct what was in his collection and to probe choices made by the cataloguers. The acts of inclusion, exclusion, and sequencing that they performed allowed them to influence how people thought of the collection, and to attempt to promote or demote particular artists and styles.This book will be of interest to scholars and students of Chinese art history, social history, and culture, as well as art collectors.Patricia Buckley Ebrey is professor of history at the University of Washington and author ofThe Cambridge Illustrated History of China andThe Inner Quarters: Marriage and the Lives of Chinese Women in the Sung Period.

Patricia Buckley Ebrey

Main Area of Scholarly Interest: The social and cultural history of Song dynasty (960-1279) China

Education:

AB University of Chicago 1968

MA Columbia University 1970

PhD Columbia University 1975

Books—Single-Authored, for Scholarly Audiences

1978 Aristocratic Families of Early lmperial China: A Case Study of the Po-ling Ts’ui Family. Cambridge University Press, viii, 249 pp.

Translation: Chinese translation currently in press.

1984 Family and Property in Sung China: Yüan Ts’ai’s Precepts for Social Life. Translated, with annotation and 171 page introduction. Princeton University Press, 367 pp.

1991 Confucianism and Family Rituals in lmperial China: A Social History of Writing About Rites. Princeton University Press, 277 pp.

1991 Chu Hsi’s Family Rituals: A Twelfth-Century Chinese Manual for the Performance of Cappings, Weddings, Funerals, and Ancestral Rites. Translated, with annotations and 31 page introduction. Princeton University Press, xxxi + 234 pp.

1993 Inner Quarters: Marriage and the Lives of Chinese Women in the Sung Period. University of California Press. 332 pp. (hard cover and paperback) (Awarded Levenson Prize of the Association for Asian Studies).

Translations: Korean translation by Bae Sook-hee. Seoul: Sam Ji won Publishing Company. 2000. Chinese translation by Hu Zhihong. Nanjing: Jiangsu People’s Publishing house, 2004.

2002 Women and the Family in Chinese History. Routledge, 291 pp. In series, Critical Asian Scholarship.

2008 Accumulating Culture: The Collections of Emperor Huizong. University of Washington Press.

Books Edited—Scholarly Conference Volumes

1986 Kinship Organization in Late Imperial China, 1000-1940. Co-editor with James L. Watson. University of California Press, 319 pp.

1991 Marriage and lnequality in Chinese Society. Co-editor with Rubie S. Watson. University of California Press, 385 pp., in paperback and hard cover.

1993 Religion and Society in T’ang and Sung China. Co-edited with Peter Gregory. University of Hawaii Press. 379 pp.

2001 Culture and Power in the Reconstitution of the Chinese Realm, 200-600. Coedited with Scott Pearce and Audrey Spiro. Harvard University East Asia Center. 359 pp.

2006 Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics. Co-edited with Maggie Bickford. Harvard University Asia Center. 625 pp.

Books—for general public and classroom use

1981 Chinese Civilization and Society: A Sourcebook. The Free Press, Macmillan, xxxv, 436 pp. Hard cover and paperback. Editor, compiler, author of about 50 pages of introductions and translator of twelve of the 89 selections.

1993 Chinese Civilization: A Sourcebook. 2nd Edition, revised and expanded. Free Press. Editor, compiler, and translator of 34 of the 100 selections. Paperback, 524 pp.

1996 The Cambridge Illustrated History of China. Cambridge University Press, 352 pp. Paperback issued in 1999.

Translations: German 1996; Chinese, simplified characters, 2001; Korean 2001; Polish 2002; Chinese, traditional characters, 2005.

1999, 2003, 2006 A History of World Societies, co-authored with John McKay, Bennet Hill, and John Buckler. Houghton Mifflin. Fifth ed., 1171 pp., author of four chapters covering Asia to 1400. Sixth ed., 1188 pages, author of six chapters on Asia to 1911. Seventh ed., author of seven chapters on Asia to 1911. Also available in two or three volume splits divided chronologically.

2006, 2009 East Asia: A Cultural, Social, and Political History. Co-author with Anne Walthall and James Palais. Houghton Mifflin, 652 pp. Also available in two volumes as Premodern East Asia and Modern East Asia.

2006 China: A Cultural, Social, and Political History. Houghton Mifflin. Text is nearly identical to China portions of first edition of East Asia text above.

Articles in Journals

1. “Estate and Family Management in the Later Han as Seen in the Monthly Instructions for the Four Classes of People,” Journal of the Economic and Social History of the 0rient 17 (1974), 173-205.

2. “Later Han Stone Inscriptions,” Harvard Journal of Asiatic Studies, 49 (1980), 325-53.

3. “Using Primary Sources in Teaching Social History,” American Historical Association Newsletter 18:8 (1980) 7-8. Reprinted in Teaching History Today, ed. Henry Bausum (American Historical Association, 1985), pp. 65- 70.

4. “Women in the Kinship System of the Song Upper Class,” Historical Reflections, 8 (1981), 113-28. Reprinted in Stanley Johannessen and Richard Guisso, ed., Women in China: Current Directions in Historical Research. Philo, 1981.

5. “Types of Lineages in Ch’ing China: A Re-examination of the Changs of T’ung-ch’eng,” Ch’ing shih wen-t’i 4 (1983), 1-20.

6. “Patron-Client Relations in the Later Han,” Journal of the American Oriental Society 103 (1983), 533-42.

7. “Conceptions of the Family in the Sung Dynasty,” Journal of Asian Studies 43 (1984), 219-245.

8. “Family Life in Late Traditional China: Introduction,” Modern China 10 (1984), 379-85.

9. “The Women in Liu Kezhuang’s Family,” Modern China 10 (1984), 415-40.

10. “Family and Kinship in Chinese History,” Trends in History 3 (1985), 151-62.

11. “T’ang Guides to Verbal Etiquette,” Harvard Journal of Asiatic Studies 45 (1985), 581-613.

12. “Concubines in Sung China,” Journal of Family History 11 (1986), 1-24.

13. “Neo-Confucianism and the Chinese Shih-ta-fu,” American Asian Review 4 (1986), 34-43.

14. “The Dynamics of Elite Domination in Sung China,” (Review Article), Harvard Journal of Asiatic Studies 48 (1988), 493-519.

15. “Cremation in Sung China,” American HistoricaI Review 95 (1990), 406-28.

16. “Engendering Song History,” Journal of Sung-Yuan Studies 24 (1994): 340-346.

17. “Portrait Sculptures in Imperial Ancestral Rites in Song China,” T’oung Pao 83 (1997):42-92.

18. “Gender and Sinology: Shifts in Western Interpretations of Footbinding, 1300-1890,” Late Imperial China, 20.2 (1999): 1-34. Appeared April 2000.

19. “Introduction to the Symposium on Visual Dimensions in Chinese Culture,” Asia Major 12.1 (1999): 1-7. Appeared November 2000.

20. “Taking Out the Grand Carriage: Imperial Spectacle and the Visual Culture of Northern Song Kaifeng,” Asia Major 12.1 (1999):33-65. Appeared November 2000.

21. “談宮廷收藏對宮廷繪畫的影響—宋徽宗個案研究” [On the impact of court collecting on court painting: the case of Song Huizong] Zhongguo huahua. 2003.12: 80-83.

22. “Gongting shouzang dui gongting huihua de yingxiang: Song Huizong de gean yanjiu” (“The Impact of palace collecting on palace painting: the case of Song Huizong”) (in Chinese), Gugong bowuyuan [Palace Museum Journal] 113 (2004):105-13.

23. “Kisōchō no hishosei to bunkazai corekushon” (The Palace Library and the Collection of Cultural Relics, in Japanese) Ajia yūgaku 64 (2004): 13-30.

24. “Literati Culture and the Relationship between Huizong and Cai Jing,” Journal of Song-Yuan Studies 36 (2006), 1-24.

Book Chapters

1. “Introduction,” with J. L. Watson, in Kinship Organization in lmperial China, 1000-1940, ed. P.B. Ebrey and J.L. Watson. University of California Press, 1986, pp. 1-15.

2. “The Early Stages of the Development of Descent Group Organization,” Ibid., pp. 16-61.

3. “Economic and Social History of the Later Han,” Cambridge History of China, I, edited by Michael Loewe and Denis Twitchett, Cambridge University Press, 1986, pp. 608-648.

4. “Education Through Ritual: Efforts to Formulate Family Rituals During the Sung Dynasty,” in Neo-Confucian Education: The Formative Stage, edited by Wm. Theodore de Bary and John W. Chaffee. University of California Press, 1989, pp. 277-305.

5. “Women, Marriage, and the Family in Chinese History,” in The Heritage of China, edited by Paul S. Ropp, University of California Press, 1990, pp. 197-223. Italian version: “Donne, matrimonio e famiglia nella storia cinese” in L’eredità della Cina (Torino: Edizioni della Fondaxione Giovanni Angelli, 1994), pp. 225-56.

6. “Toward a Better Understanding of the Later Han Upper Class,” in State and Society in Early Medieval China, edited by Albert Dien. Stanford: Stanford University Press, 1990, pp. 49-72.

7. “The Chinese Family and the Spread of Confucian Values,” in The East Asian Region: Confucian Traditions and Modern Dynamism, edited by Gilbert Rozman. Princeton University Press, 1990, pp. 45-83.

8. “Introduction” in Marriage and Inequality in Chinese Society, edited by R.S. Watson and P. B. Ebrey, University of California Press, 1991, pp. 1-24.

9. “Shifts in Marriage Finance, the Sixth Through Thirteenth Centuries,” in ibid., pp. 97-132.

10. “Women, Money, and Class: Ssu-ma Kuang and Neo-Confucian Views on Women, “ in Papers on Society and Culture of Early Modern China, ed. by Academia Sinica, Taipei, 1992, pp. 613-669.

11. “Property Law and Uxorilocal Marriage in the Sung Period.” Family Process and Political Process in Modern Chinese History. Taipei: Institute for Modern History, Academia Sinica, 1992, pp. 33-66.

12. “Historical and Religious Landscape,” with Peter S. Gregory. In Religion and Society in T’ang and Sung China, edited by P.B. Ebrey and P.S. Gregory. University of Hawaii Press, 1993, pp. 1-44.

13. “The State Response to Popular Funeral Practices in the Sung,” in ibid., pp. 209-40

14. “Women and Malice in Hung Mai’s 1-chien chih.” In Yanagida Setsuko sensei koki kinen Chugoku no dento shakai to kazoku. Tokyo 1993, pp. 41-64.

15. “The Golden Age of Tang and Song,” in Cradles of Civilization: China, ed. Robert E Murowchick Sydney: Weldon Russell, 1994, pp. 135-43.

16. “Liturgies for Ancestral Rites in Successive Versions of the Family Rituals, “in Ritual and Scripture in Chinese Popular Religion: Five Studies, edited by David Johnson, University of California Center for Chinese Studies, 1995, pp. 104-36.

17. “Age at Marriage Among the Sung Elite,” Chinese Historical Micro-demography, edited by Stevan Harrell. University of California Press, 1995, pp. 21-47.

18. “Surnames and Han Chinese Identity,” in Negotiating Ethnicities in China and Taiwan, edited by Melissa Brown. Institute for East Asian Studies, University of California, Berkeley, 1996, pp. 11-36.

19. “Sung Neo-Confucian Views on Geomancy,” in Meeting of Minds, festschrift for W.T. Chan and Wm. T. de Bary, edited by Irene Bloom and Joshua A. Fogel., Columbia University Press, 1997, pp. 75-107.

20. “Woman and Warrior,” and “Sex, Sons, and Wars of Succession,” in Men and Gods: New Discoveries from Ancient China. Lousiana, Denmark: Museum of Modern Art, 1997. Pp. 49-51, 92-95.

21. “Some Elements in the Intellectual and Religious Context of Chinese Art,” Five Thousand Years of Chinese Art. Guggenheim Museum of Art, 1998. Pp. 36-48.

22. “The Ritual Context of Sung Imperial Portraiture,” in Wen Fong, ed., The Arts of Sung and Yuan China, Princteon University Art Museum, 1999. Pp. 68-93.

23. “Taoism and Art at the Court of Song Huizong,” in Taoism and the Arts of China. Berkeley: University of California Press, 2000. Pp. 94-111.

24. “The Classic of Filial Piety for Women,”(translation) in Susan Mann, ed. Gender in China. University of California Press, 2001. Pp. 46-69.

25. “Introduction,” with Scott Pearce and Audrey Spiro, in Culture and Power in the Reconstitution of the Chinese Realm, 200-600. Coedited with Scott Pearce and Audrey Spiro. Harvard University East Asian Council, 2001. Pp. 1-32.

26. “The Emperor and the Local Community in the Song Period,” in Chūgoku no rekishi sekai—tōgō no shisutemu to tagen teki hatten. Tokyo: Tokyo toritsu daigaku shuppankai, 2002. Pp. 373-402.

27. “Wenren wenhua yu Huizong he Caijing de guanxi,” 文人文化與蔡京和徽宗的關係 [Literati Culture and the Relationship between Cai Jing and Huizong], in

28. “Record, Rumor, and Imagination: Sources for the Women of Huizong’s Court Before and After the Fall of Kaifeng,” Tang-Song nüxing yu shehui, ed. Deng Xiaonan. Shanghai: Shanghai cishu chubanshe, 2003. Pp. 46-97.

29. “The Incorporation of Portraits into Chinese Ancestral Rites,” in The Dynamics of Changing Rituals: The Transformation of Religious Rituals within Their Social and Cultural Context, ed. Jens Kreinath, Constance Hartung, and Annette Deschner. New York: Peter Lang, 2004. Pp. 129-140.

29. “Imperial Filial Piety as a Political Problem,” in Filial Piety in Chinese Thought and History, ed. Alan K. L. Chan and Sor-hoon Tan. London: Routledge, 2004. Pp. 122-40.

30. “Confucianism,” in Sex, Marriage, and Family in the World Religions, ed. Donald Browning, M. Christian Green, and John Witte Jr. Columbia University Press, 2006. Pp. 367-448. Includes selected translations with introductions.

31. “Introduction” and “Huizong’s Stone Inscriptions” in Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics. Co-edited with Maggie Bickford. Harvard University East Asia Center, 2006. Pp. 1-27 and 230-274.

32. “Succession to High Office: The Chinese Case,” in Culture, technology and history: Implications of the anthropological work of Jack Goody, ed. David R. Olson and Michael Cole. Erlbaum, 2006. Pp. 49-71.